This project explores the theatre’s visual identity through the notion of the palimpsest, a surface where past and present coexist. Using techniques of overprint the identity revisits and transforms its own visual archives.Last season’s posters become both background and raw material, their colours, textures, and typographic traces resurfacing beneath new graphic compositions. Rather than erasing what came before, each layer adds complexity and depth, creating a continuous dialogue between memory and invention. Through this iterative process, the identity evolves like a living organism — a space where time accumulates, gestures overlap, and each new season renews the previous one while keeping its presence visible.

Identité visuelle — 2024
Collaboration with Alessandro Vogel